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This cantata tells the story of Christ's birth as it is described in the book of Luke (Luke 2:1, 3-20). Four verses of the chorale "Vom Himmel Hoch, Da Komm Ich Her" ("From Heaven Above to Earth I Come") appear as interpolations throughout the cantata, giving it a formal unity. Contrasts in mood and orchestration, as well as the interplay of soloists and tutti, give variety to this 35-minute work.
Even though this piece is composed in a quasi-Baroque style, it has a freshness that I believe would make it appealing and accessible to modern audiences.
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1. Sinfonia (orchestra)
Largo; Fuga (allegro vivace); Minuetto (andantino)
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2. Chorale (chorus)
"From Heav'n above to earth I come." ("Vom Himmel Hoch" - Verse 1)
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3. Arioso (soprano solo I)
"And it came to pass in those days." (Luke 2:1, 3-7)
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4. Chorus with Soprano Solo II
"And there were in the same country shepherds." (Luke 2:8-11)
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5. Recitative with Chorale (chorus, with soprano soloists I and II)
"To you, this night, is born a Child." ("Vom Himmel Hoch" - Verse 2)
WITH
"And this shall be a sign unto you." (Luke 2:12)
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6. Duet (soprano soloists I and II)
"And suddenly there was with the angel." (Luke 2:13)
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7. Chorus
"Glory to God in the highest." (Luke 2:14-18)
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8. Aria with Chorale (soprano soloist I, with the altos from the chorus singing the chorale)
"But Mary kept all these things." (Luke 2:19)
WITH
"Ah, dearest Jesus, Holy Child." ("Vom Himmel Hoch" - Verse 3)
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9. Chorus
"And the shepherds returned." (Luke 2:20)
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10. Chorale (chorus)
"Glory to God in highest Heav'n." ("Vom Himmel Hoch" - Verse 4)













