Hear Sound Clips of Music by Peter Bloesch

Here is a centralized gathering of most of the sound clips that are located throughout this website.  They are arranged by the following categories:

Film & Television Music
Holiday Music
Concert Music
Church Music                                                                                                     

PLEASE NOTE:  All of the sound clips on this website are being presented for demo purposes only and are copyright by Peter Bloesch, with all rights reserved.  Any unauthorized use or duplication of this music is prohibited.

                                                                                                                  Film and Television Music All of the following cues were composed and orchestrated by Peter Bloesch:

                                                                                                                     "In a Hurry"  (Comedy)

 

"The Journey Home"  (Period Drama/Romance, antebellum South)

 

"The Escape"  (Action/Adventure Animated Feature)

 

"A Friend Indeed: The Bill Sackter Story"  (Inspirational Documentary)

The following four cues are from my recently-recorded film score for "A Friend Indeed: The Bill Sackter Story."  To learn more about this film, and to hear more sound clips from the film score, please click here.

Note:  The following two sound clips are from a set of concert pieces I wrote that are inspired by the story of Bill Sackter.  This concert music is not directly related to the "Bill Sackter" documentary film. 

 

A sampling of cues from my internship with Mike Post:

 

"A Season for Change"  (Drama)

 

"The Secret Treehouse"  (Childrens Adventure)

 

"The Mists of Ireland"  (Period Family Drama)

 

"The Soldier's Dream"  (Suspense)

 

"A Life of Honor"  (Biographical Feature)

 

"Night of Reflection"  (Period Drama, set in 1930s Appalachia)

 

Holiday Music
NOTE:  If you're interested in my Holiday Pops music, please visit the Holiday Pops section of this website.  

"A Symphony of Carols"

(A 45-minute piece written for chorus and chamber orchestra, suitable for a concert or church setting.  Click here for more info.)


"A Holiday Suite"

(A 5-movement suite written for flute, viola, and guitar.  The following sound clips were performed by the Red Cedar Trio.  Click here for more info about this piece.)


Concert Music

Remembrances

(An arrangement of Dvořáks "Songs My Mother Taught Me” and the traditional folksong "Twinkle, Twinkle, Little Star” written for string orchestra with harp

and piano.  Click here for more info.)

To hear the entire piece (ca. 8 mins.), click here.  

Or, select from the following excerpts:

"Spillville Variations on a Theme by Dvořák"

(A set of fifteen variations (each written by a different composer) based on a famous theme by Dvořáks, scored for flute, viola, and guitar.  My variation is a fugue based on Dvořáks theme.  The following sound clips were performed by the Red Cedar Trio.  Click here for more info about this piece .)

"Violin Sonatina"

(A short work for violin and piano.)

The entire sonatina (6 mins.) is presented below:

"Song of Summer"

(Ah, youth!  This piece for violin and piano is included here as an example of my very earliest years of composing (i.e., my junior high days), when most of what I wrote was in the Baroque style; Ca. 3.5 mins.)


Church Music

"All Hail the Power of Jesus' Name"

(A congregational hymn arrangement, scored for chamber orchestra and organ.  Click here for more info.)

"A Christmas Interlude for Strings" (offertory)

(A lush arrangement of "In the Bleak Midwinter” and "Quem Pastores”; Scored for strings at least 3, 3, 2, 1, 1, with an optional version containing a divided

cello part)

"Blessed Be That Maid, Mary" (organ prelude or offertory)

A meditative organ piece in the romantic impressionist style of Kodály, based on the traditional English tune; Ca. 4 mins.

“Peter’s creations are imaginative, compelling, and accessible.  He has an incredible background in every area of music — pops arranging, film music, and music for the concert stage — and puts all of these genres to good use, coming up with a style that is all his own.”

— Joe Harnell,
Film Composer;  Arranger for many celebrated singers, including Frank Sinatra, Judy Garland, and Beverly Sills; Composer of concert music and pupil of Aaron Copland, Sir William Walton, and Nadia Boulanger